Established in 2015 and funded by Mount Vernon Ladies’ Association, the Martha Washington Papers and Washington Family Papers projects present a more inclusive view than what’s often shown in history textbooks. My fellow project editors and I hope we can contribute to the study of women’s history and of 18th- and 19th-century history in general.
Last month, my family and I took a day trip to Virginia Beach. On the way home, we stopped by the American Revolution Museum at Yorktown. This visit to the museum (our first) was particularly special: we had the privilege of receiving a tour from Dr. Thomas E. Davidson, a senior curator, who retired from the museum at the end of July.
Janet Livingston Montgomery demonstrated the traditional gender ideals of the early American republic by educating herself and her surrogate sons; embodying a sentimental view of courtship, marriage, and widowhood; and symbolizing republican virtues.1 In addition, she assumed a more progressive stance by surpassing these conventions, and actively engaging with and influencing the political culture around her.
By working on the Martha Washington volume, I’ve stumbled upon the underrepresented voices of some fascinating 18th-century women. So, I’d like to now introduce (or re-introduce) you to Janet Livingston Montgomery.
“What do you do with a film degree? Sit around and watch movies all day?” As a graduate of New York University’s Tisch School of the Arts, where I earned an M.A. in cinema studies, I’ve heard my share of these questions from people I meet. They may have a point; although my cinema studies degree has helped me develop my research and writing skills, it’s hard to justify how this degree directly applies to my job at The Washington Papers. When I say I’m a documentary editor, I don’t mean that I edit documentary films! So, I’m going to approach this blog post from a different angle (with a little help from my psychology degree), and show how George Washington shares attributes with classic film star Cary Grant.
Throughout my childhood and young adulthood, I flirted with different answers to this ever-present question: teacher, pediatrician, school psychologist, child psychologist. Having earned a BA in psychology (and classics) from the University of Virginia in 2000, I settled on clinical psychologist, with the goal of teaching college students and treating patients. Since this required a PhD, I applied to several highly competitive doctoral programs but was rejected by all of them. What would have happened had I been accepted? For one thing, I would have missed becoming acquainted with George and Martha Washington.
“Veni, vidi, vici.” Roman emperor Julius Caesar supposedly proclaimed this famous Latin phrase after a military victory. For centuries, young students of Latin have learned this quotation, which translates to “I came, I saw, I conquered.” Their history lessons presented another well-known general who crossed a river (Julius Caesar crossed the Rubicon in 49 BC, and George Washington crossed the Delaware in 1776).1 But as one of those junior scholars of Latin, I didn’t think I would explore the connections between these two worlds much further. I had never imagined I would grow up to be a research editor at The Washington Papers and use my background in classics every day on the job.
In Making History‘s first episode, Dan and Chris (Yassir Lester) climb into a duffel bag and time-travel to Lexington on April 21, 1775, two days after the American Revolution should have started. The rebellion has been delayed because Paul Revere is too depressed and angry to make his famous ride.
From September 14 to 17, the University of Virginia (UVA) hosted Human/Ties, a four-day celebration of the 50th anniversary of the National Endowment for the Humanities (NEH). To explore and honor the vital role played by the humanities in today’s world, the forum brought together multiple University departments and programs, including the Washington Papers, as well as speakers and artists from across the country and around the world.
Ian Kahn knows George Washington. For three seasons, he has played the General on the AMC television series Turn: Washington’s Spies. An accomplished stage actor, Kahn has also appeared on Dawson’s Creek and Sex and the City. Washington Papers editors Kim Curtis and Lynn Price recently spoke with Kahn about his work on Turn, what this season holds in store, and what George Washington means to him.