Topic: George Washington

The Washingtons at Winterthur

by Alicia K. Anderson, Assistant Editor
May 5, 2017

George Washington and “Columbia” amidst Azaleas. Postcard. 1960s. Courtesy, the Winterthur Library, Winterthur Archives.

As people flock to the historic Delaware estate to view woodland azaleas at the peak of their bloom and the subtler Virginia bluebells tucked away in carpets of white trillium, a recent visit to the Winterthur Museum, Garden & Library gave this Washington editor a chance to ponder the collection’s flamboyant treasures and hidden gems in tribute to America’s original First Family.

Winterthur founder Henry Francis du Pont (1880–1969) had a passion not only for beautiful gardens but also for American decorative and fine arts that resulted in a world-class collection of 90,000 objects, many of which pay homage to George Washington and the Washington family. The collection offers a remarkable window into the 19th-century American culture of memory that made George Washington a national icon in households across the country.1 It also preserves rare items from the life and times of the man himself—and the woman who promoted his legacy.

Perhaps most notable in the collection are the John Trumbull portrait of Washington at Verplanck’s Point, New York, 1782, painted in 1790, and 60 pieces of the “Cincinnati” china service purchased by the Washingtons in 1786 that dwarf even the collection at Mount Vernon.

Courtesy, Winterthur Museum, Portrait, Washington at Verplanck’s Point by John Trumbull, 1790, New York, NY, Gift of Henry Francis du Pont, 1964.2201.

Washington sat at least 14 times for the Verplanck portrait, which Trumbull “intended to present to Mrs. Washington.”2 Martha would hang the painting—one of her favorite likenesses of her husband—in the New Room at Mount Vernon and bequeath it to her granddaughter, Elizabeth Parke Custis Law, from whom it passed through the generations. Eventually, it was purchased by du Pont, who gave it to the museum in 1964.3

The Chinese export porcelain featuring the arms of the Society of the Cincinnati is displayed in Winterthur’s “China Hall” and was originally used by George and Martha at the presidential seats in New York and Philadelphia as well as at Mount Vernon. Part of a 302-piece dinner, breakfast, and tea set, Winterthur’s collection came to the museum in 1928, when du Pont bought it from Martha’s descendant, Mary Custis Lee.4

From object to provenance, the presence of Martha Washington at Winterthur is not to be overshadowed by that of her husband. “I was also much interested to hear about your Martha Washington sewing table,” H. F. du Pont wrote to his dealer Joe Kindig, Jr.5 Behind the scenes, Winterthur’s state-of-the-art conservation department once had the particular challenge of restoring an important Custis estate document from the ravages of mold (following its burial during the Civil War).6

A mourning brooch containing hair from George and Martha Washington is probably one of the most intriguing pieces in the Winterthur collection. Housing braided locks of blonde and salt-and-pepper hair cut by Martha for Elisabeth Stoughton Wolcott in 1797, the piece of jewelry is a tiny casket displaying, quite literally, the couple’s interwovenness.7

A pair of statues in the garden, however—”stove figures” dating to the mid-19th century, to be exact—leaves this editor questioning. The figure of George Washington is clearly identifiable, but the female form to his right is more mysterious. It has been suggested that she is most likely the symbolic figure of Columbia, but—no doubt from the direct pairing—she also has been attributed to Martha Washington.

The confusion lends its subject a delightful charm. Although the image of Martha Washington is hardly as iconic as her husband’s, it is this project’s hope that, with the forthcoming publication of The Papers of Martha Washington, the nation’s first First Lady will assume her rightful place.

Stereocard. May 1938. Courtesy, the Winterthur Library, Winterthur Archives.

With special thanks to the Winterthur Museum, Garden & Library in Winterthur, Delaware, and to their Assistant Curator of Education, Garden Programs, Erica K. Anderson, the author’s twin sister.

 

Notes

1. Du Pont and Winterthur are featured in Michael G. Kammen’s Mystic Chords of Memory: The Transformation of Tradition in American Culture (New York, 1991).

2. GW’s diary entry for 8 July 1790.

3. Linda Eaton, “Washington, Warhol, and Winterthur: Unexpected Provenance in the Museum Collection,” Sept. 4, 2013.

4. Hilary Seitz, “Presidential Porcelain from Washington to Winterthur,” Jan. 7, 2015.

5. Jay E. Cantor, Winterthur (New York, 1985; new enl. ed., 1997), 150–51.

6. Lois Olcott Price, “Travels through Conservation,” Nov. 20, 2015.

7. Hilary Seitz, “Unveiling the Secrets and Treasures of the Museum,” May 19, 2014.

George Washington’s First Visit to Colonial Williamsburg

by Lynn Price, Assistant Editor
April 14, 2017

While Virginia was still a British colony, its capital, Williamsburg, presented a variety of amusements. Residents and visitors alike could enjoy a pint at the tavern after an evening of dancing, noise and excitement in the streets during a town fair, or the debut of a popular play at the local theatre. Modern Virginia residents and history buffs may find these pastimes familiar. While modern-day Colonial Williamsburg offers visitors a recreated past, George Washington experienced the original colonial city.

George Washington’s first recorded visit to Williamsburg came on the heels of his return from Barbados at the end of January, 1752 (according to the Julian or New Style calendar). Upon his ship’s landing at Yorktown, he traveled to Williamsburg to meet Virginia governor Robert Dinwiddie.

A print of the Bodleian Plate, which depicts features of colonial Williamsburg, particularly architectural style. Courtesy of Cornell University Library.

In 1752, the capital of Virginia boasted fewer than 1,000 residents. The new capitol building was under construction after a 1747 fire, and well-known landmarks still recognizable to the twenty-first century eye were already standing: Bruton Parish church, the College of William & Mary, and the main street.

After what was likely his first theater experience in Barbados, George may have chosen to attend a performance in Williamsburg. A new theatre had been built in the Virginia capital just a few months before George’s visit. In an advertisement in the Aug. 29, 1751, Virginia Gazette, subscribers were asked to support building a playhouse for the Company of Comedians. And so the second theatre ever in Williamsburg was erected, with shows offered to the public by the middle of October 1751.

George arrived at an unusually quiet time in Williamsburg, as neither the courts nor the colonial assembly was in session. Court sessions, known as Public Times, were held in April, June, October, and December.1 During these months, the capital swarmed with visitors, doubling and possibly tripling the number of inhabitants. Virginians from all corners of the colony came together to enjoy amusements such as fairs with “a Side-play of Puppet shows, Contests in Beauty, Fiddling, and Dancing, with Foot Races from the College to the Capitol, Cudgellings, and Chases for Pigs to be caught by the Tails (which were soaped).”2 Taverns and inns were filled, merchants debuted fashions from London, and personal business was transacted. Slave auctions were also held.3

General Assembly meetings also increased the population of the capital and encouraged additional social events to entertain the visitors. A March 5, 1752, advertisement in the Virginia Gazette, for example, invited ladies and gentlemen to purchase tickets to a ball held at Henry Wetherburn’s every Tuesday while the General Assembly was in session.

While George missed these times of visitors and thus many of the associated popular amusements of Williamsburg in 1752, his meeting with Governor Dinwiddie resulted in a career gain that more than made up for the loss of recreation. In July 1752, the death of George’s brother Lawrence left several militia vacancies in Virginia. Perhaps owing to an encouraging meeting in Williamsburg, George requested a commission from Dinwiddie. He received that commission as major and adjutant of the militia, horse and foot, for the Southern District of Virginia, in December of that year. And thus George Washington’s military career began.

 

Notes

  1. James H. Soltow, “The Role of Williamsburg in the Virginia Economy, 1750-1775,” The William and Mary Quarterly 15, no. 4 (1958), 469.
  2. Rutherfoord Goodwin, A Brief and True Report for the Traveller Concerning Williamsburg in Virginia (Williamsburg: Colonial Williamsburg, Inc., 1936), 49.
  3. Ibid, 48-52.

Correcting the Record: George Washington and the Hartford Conference, September 22, 1780

by Jeffrey Zvengrowski, Assistant Editor
March 24, 2017

At a strategy conference in Hartford on September 22, 1780, with General Rochambeau and Admiral Ternay, George Washington replied to a question from the French commanders:

la Situation de l’amerique Rend absolument Necessaire que Ses allies lui pretent un Secours vigoureuse, et qu’a tant d’autres obligations, a tant d’autres preuves de Son genereux interest, Sa Majeste tres Chretienne ajoute celle s’aider les etats Unis en envoyant <encore> des vaisseaux, des hommes et de l’argennt.

Washington was requesting additional French reinforcements following Patriot defeats in the Southern states. He and the French commanders agreed to a strategy by which to win the war at Hartford.  Historians, however, have overlooked the Hartford conference because Benedict Arnold’s treason came to light a few days after it, and the few scholars who did study the conference misconstrued its principal document.

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Washington’s First Defeat

by Benjamin L. Huggins, Associate Editor
March 7, 2017

“Inclination as well as duty would have Induced me to give Congress the earliest Information of my removal and that of the Troops from Long Island & Its dependencies to this City the night before last, But the extreme fatigue whic<h> myself and Family have undergone as much from the Weather since the Engagement on the 27th rendered me & them entirely unfit to take pen in hand—Since Monday scarce any of us have been out of the Lines till our passage across the East River was effected Yesterday morning & for Forty Eight Hours preceding that I had hardly been of[f] my Horse and never closed my Eyes so that I was quite unfit to write or dictate till this Morning.

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More Than Meets the Eye

By Sarah Tran, Undergraduate Worker
January 24, 2017

The common adage “Don’t judge a book by its cover” is often adapted into tale, the most popular of which is “Beauty and the Beast.” The timeless story opens on an old beggar woman seeking shelter from the storm at a prince’s castle. The prince, though noble and handsome, is also cruel and unkind. He dismisses the ugly old beggar woman, unaware she is a powerful sorceress. The sorceress transforms into her beautiful self and warns the prince not to be deceived by outer appearance. To instill this lesson, she turns the prince into a horrific beast, placing a curse upon his castle that can only be broken when he finds someone who will reciprocate his love despite his beastly appearance. Following a period of prolonged self-reflection and caring for others, the prince finally breaks the curse. This tale has engaged audiences across the world, blossoming into a beloved romance and children’s bedtime story. But the theatricality of “Beauty and the Beast” might divert the audience from its moral.

While searching for newspaper articles about Martha Washington, I came across a similar story in the Alexandria Gazette.

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A Documentary Dilemma: Editing the Farewell Address

January 17, 2017

Senior Editor David Hoth’s guiding principle in documentary editing is to display the evidence without influencing a reader’s conclusions. His current focus, George Washington’s Farewell Address, complicates that principle. This document is included in Presidential Series volume 20 and arguably is one of Washington’s most significant contributions to the institution of the U.S. presidency. Hoth’s research into its preparation led him to suggest that we “cannot assume what has always been assumed” of this document.

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George Washington’s First Victory

By Benjamin L. Huggins, Associate Editor
January 9, 2017

“It is with the greatest pleasure I inform you that on Sunday last, the 17th Instant, about 9 O’Clock in the forenoon, The Ministerial Army evacuated the Town of Boston, and that the Forces of the United Colonies are now in actual possession thereof. I beg leave to congratulate you Sir, & the honorable Congress—on this happy Event, and particularly as it was effected without endangering the lives & property of the remaining unhappy Inhabitants.”

General Washington sent this notice to John Hancock, president of the Continental Congress, from his headquarters at Cambridge, Massachusetts, on March 19, 1776. The long siege of British-occupied Boston was over. The letter was one the general had long hoped to send: his first victory dispatch to Congress. He had taken command of the Patriot army surrounding Boston in early July 1775, and he had dedicated all his effort since to achieving the result he reported to Hancock on March 19.

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“Strongly Attacked”: George Washington Encounters Smallpox

By Lynn Price, Assistant Editor
December 2, 2016

It may have started with a headache and a fever, or just a general feeling of malaise. It could have struck after a night’s rest, when his morning routine of rising from bed was painfully curtailed by a severe backache unlike any he’d experienced before. A chill running throughout his body—abnormal in the extreme heat of the tropical climate of Barbados—could have been the first signal that something wasn’t right. However the illness chose to first present itself, within a few days a rash appeared on his skin. Less than two days from their emergence, the eruptions grew and spread, covering his entire body.1 George Washington was only 19 years old. He was on an adventure in the West Indies, and he had smallpox.

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As We Give Thanks for Pilgrims and Turkeys, Let Us Not Forget Our Two Most Iconic Presidents

by Thomas Dulan, Associate Editor
November 28, 2016

The origin of Thanksgiving Day in America is a bit of a moving target. Tradition has it that Thanksgiving has been handed down to us from the Pilgrims and friendly Wampanoag Indians, who joined together for a celebratory feast in November 1621 to give thanks for a bountiful harvest. In grade schools throughout the United States, construction-paper silhouettes of Pilgrim hats, Indian headdresses, turkeys, and cornucopias have withstood many changings of the generational guard as part of November’s classroom décor.

In recollections of the now-distant past, I can envision as well the similar cutout depictions—in black construction paper—of our two most celebrated and mythologized presidents: George Washington and Abraham Lincoln.  I can no longer state with any certainty whether George and Abe adorned my classroom in company with the Pilgrims and turkeys, or whether I am merely conflating memories of November’s classroom décor with February’s. And yet, if our iconic first and sixteenth presidents were not memorialized in classroom wall festoons in November, then more’s the pity in lessons lost, for each belongs front-and-center in the story of Thanksgiving Day in America.

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A Tale of Two: The General and The Little Lion

by Elisa Shields, Research Specialist
November 11, 2016

Washington Papers staff members Lynn Price (lower left) and Elisa Shields (lower right) met Christopher Jackson (top), who plays George Washington in the Broadway musical Hamilton, during a National Endowment for the Humanities event.

Washington Papers staff members Lynn Price (lower left) and Elisa Shields (lower right) met Christopher Jackson (top), who plays George Washington in the Broadway musical Hamilton, during a National Endowment for the Humanities event.

Many of us have listened to—and some of us have memorized—songs from the Broadway musical hit, Hamilton. Whether a friend introduced you to it, you read about it in the news, or you were one of the lucky ones to see it performed live, chances are you are well aware of this musical sensation. Without a doubt, Hamilton has brought Alexander Hamilton (and the fascinating women in his circle) into popular culture, ultimately reshaping his legacy. That is not something a Broadway play has accomplished before—or certainly not on this scale.

The first time I heard a song from Hamilton was in the car with a dear friend of mine. She had discovered it months before and had been raving about it since. Naturally, I obliged and listened to the opening title, “Alexander Hamilton.” Within the first few minutes, I was a fan. It was pure lyrical genius. While I’ve never been keen on rap, the words flowed so perfectly that I couldn’t help but ask for more. Hamilton is a perfect blend of history, humor, drama, and music. It translates history into art. The mastermind behind the phenomenon, Lin-Manuel Miranda, worked on it for over six years after serendipitously reading Ron Chernow’s Hamilton biography while on a holiday trip. Talk about the odds being in favor of history enthusiasts!

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